Artist Statement

Since the launch of Texas Reliable News in 2015, the second book in the series, titled Belfast Reliable News, has recently become available in print. The Reliable News scheme explores the cultural and political dimensions of foreign societies, with my latest instalment focusing specifically on the enduring divisions in the north of Ireland. This book offers a nuanced examination of daily life in a community shaped by conflict.

In 2017, I travelled to Belfast to work on a project about divided societies. After several exhibitions, I realised I had only scratched the surface of the topic and decided to relocate to immerse myself in the everyday life of Belfast. From my outsider's perspective, my understanding of the community's stories might differ from that of the locals. My views might highlight aspects that locals no longer notice, though I may lack the deeper meaning behind them. I don't strive for impartiality or balance between the narratives of the two communities, as I don’t identify as a journalist. Each story I share adds to my understanding of the complexities I’ve encountered.

Throughout 18 chapters, the book delves into a range of important topics, including identity, which significantly shapes events in Northern Ireland; reconciliation, illustrated by meetings between perpetrator and victim; arts and culture, particularly the role of community art; the disappearance of individuals during the Troubles and its ongoing impact on families today; and architecture and city planning, looking at how the army and the state exert control over urban spaces. These themes, among others, weave a rich narrative of the social landscape in the north of Ireland.

Throughout this experience, I navigated the intricacies of the narratives around me. As I revisited my research material, it became clear that my storytelling served not just to inform potential audiences but also to deepen my own comprehension. By sharing my experiences and observations through a monthly broadcast, I created a space for reflection—for myself and for others who might engage with my work. Sabine Troendle